WARNING: ALL STAGE PLAYS, SCREENPLAYS, STORY IDEAS, CHARACTERS, DIALOG & EXCERPTS ARE PROTECTED UNDER U.S. & INTERNATIONAL COPYRIGHT LAW, AND ARE ALSO FULLY REGISTERED WITH THE WRITER'S GUILD OF AMERICA. ANY ATTEMPTS TO UNLAWFULLY DUPLICATE, DISTRIBUTE, COPY, OR SELL WILL RESULT IN PROSECUSION.

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LESBIAN PORNOGRAPHIC FEATURE FILM
Faux documentary about a 70s porno gone missing then recovered 30 years later with the sex scenes deleted, only to be regarded as a lost cinematic treasure. (105 pages)
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DOCUMENTIA (screen version)
The day his estranged wife is reported missing, Karl Banswick begins to receive mysterious red envelopes containing innocuous documents. Following the paper trail, he is soon swept into a network of people searching for missing loved ones. (124 pages)
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THE BATTLE FOR CARLYLE
Fort Carlyle: 500 men, 700 townsfolk. Why did they all fall out of contact? A troop of U.S. Cavalry rides into certain danger to find out. It's a cross-genre Western in big Hollywood style. (111 pages)
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TRAVEL
Why are there two Leo Austins? A divorced museum employee searches for an answer in this expanded version of "Terminus." This time travel head-trip is sure to both confound and entertain. (91 pages)
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HORROR ACADEMY
A full-length horror anthology play featuring "Red Messages," "Everything's Different Here," "Three Lines," and "Where Is the Breakdown?". (71 pages)
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RED MESSAGES
Five two-minute monologues about horror. (7 pages)
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EVERYTHING'S DIFFERENT HERE
A new clinic in a foreign land. Oh, and cannibals. (26 pages)
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THREE LINES
Blood bank robberies and the subsequent investigation. (26 pages)
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TERMINUS
Travel Agents, tickets to your past, and a man stuck on a broken rail. (7 pages)
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WHERE IS THE BREAKDOWN?
A car crash victim learns she's started a violent plague. This one act drama features an all female cast and some stage combat. Not for the weak of heart. (26 pages)
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TURN SIGNALS
A series of car crashes plagues a city. In every crash, husbands and children are killed, but the wives always survive. A short film adaptation of a previously published story. (20 pages)
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THE DOUBLE NEGATIVE
Two brothers take very different approaches to post-war life in Europe. Pen Hartzog, a decorated fighter, works hard in his tailor shop and tries to forget the violence; Martin Hartzog rails publicly against oppressive thugs haunting their small town. Their affections for the same woman and one's consuming secret make for an epic drama of flawed human choices. (170 pages)
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SUB-GENRE
A husband searches for his missing wife in an abandoned hospital. On his journey he meets a cryptic guide, a sex-crazed girl, a competing suitor, and a pioneering doctor who decapitates his patients. A story of double-crossing nightmares and the potential for corrective, rat-run surgical enhancements. (51 pages)
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FILMSTARS
How do you create filmstars? Take two B-list actors and pair them together in an A-list picture. Problem is, these two particular filmstars used to be in love. Now they're not. And the A-List picture? It's a downer set in a prison, written by a nobody. Can two scheming Hollywood agents pave the way to cinema history, or is it just the desperation talking? (85 pages)
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WATER PRESSURE (screen version)
The film adaptation of the play. See below for story synopsis. (108 pages)
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THE WHITE AIRPLANE
A Pittsburgh man finds himself in the body of a Japanese typist, whose wife has been reported missing. What are the links between this strange occurrence and the crash of a white airplane on the English countryside? A dream-like story of life and circumstance, told as human drama, mixed with absurd comedy, with jabs of sex and violence. (96 pages)
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WATER PRESSURE (stage version)
Four wealthy widowers form a club to discuss time travel. From this simple beginning, their actions become tragically linked to the fractured futures of their four daughters. (93 pages)
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TWO GIRLS KISSING
Sisters of a convent are suspected in the death of their male overseer. An investigator arrives, using manipulation and intimidation. Under his methods, the sisters protect each other while burying their secret even deeper. (94 pages)
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THROW THE CONTROL DARTS
Henry Pravel is a gamesman, a salesman, everything but a comfortable host. His neighbor, Clayton Keller, is a past-his-prime novelist working on a depressing new piece about Waterloo. Lula Pravel is Henry's wife, a beautiful woman full of mystery and subtle signals. These three very different and very lonely people are brought together by Control Darts, an expensive home system where a person's mind controls the throw. If only they could read each other's thoughts, the evening might actually turn out well. (70 pages)
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DOCTOR MORTEER MEETS THE PROFESSOR
Missing children return days later, but years older, leading an aging English Professor to abandoned laboratories, a strange machine, lost library books, a mysterious doctor, and on a trip through time. It's a family adventure movie, with a nod towards the mad scientist movies of the 40's & 50's. (127 pages)
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HORRORTHON
A young New Yorker, grieving for the recent death of his girlfriend, finds solace at a thirty-six hour horror movie marathon. Locked-in with the crowd, it soon becomes clear that this isn't just a celluloid history of fright, but a surreal game of cat and mouse. The gimmick is, it's a horror movie about horror movies that the viewer will watch at the movies. And no, there are no vampires. (101 pages)
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NIHILISTS
Six orphaned teens are brought to a futuristic downtown for testing. When the building is put in blackout by an air raid, they learn that not everyone is who they're pretending to be, and a violent game of double-cross ensues. (111 pages)
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SCREAM TOGETHER/CRY ALONE
Two failing con artists cook up a scheme to bilk the governments of the world. They begin a campaign to get everyone on the earth to scream for one minute. When the idea catches on, and money comes rolling in, inner conflicts and jealousies flare up, and the political consequences of their plan threaten the entire world. It's an over-the-top satire with themes about money, loyalty, politics, and throats. (121 pages)
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THE ESSENTIALS
A romance starts in the line of grocery store during a power outage. (10 pages)
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WUNDERKIND
A tense short play set in a newspaper office. (8 pages)
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Please Note: Other, crappier scripts also available -
including THE NIGHTMARE FACTORY, which I wrote when I was 12. Embarrassing.